In history of film drama lived for personage is reflected of elements racist that at the time was strong, established in elements that argued the differences of the races, with a species of obsession, that in 30 American States during certain time would forbid the Inter-racial marriage, mainly in the States south it. On the basis of Schilling (2008) can be said that the film portraies the life of blacks, of the relation of being able present at a time, where up to 1957 the blacks did not have right equality, thickening the number of poor and kept out of society people, moved away from the right the good university. Exactly the ingression in colleges of 2 degree demanded intervention. It enters years 40 until years 60, moment where the life in such a way of the personage Carl, as of its wife they pass for transformations, the blacks in the United States live deeply reality where the ideological power and of repression of the whites accumulated them in ghettos, condemning them it inferior jobs, badly-remunerated, forbidden during certain period to frequent the places of whites among others, practical disfarados racists and of segregation, whose elements still remain, same that, in people whom still they insist on having racist thoughts. To observe the film, considering that its director is also a black individual, is to observe the linking of workmanship and creator, that if identified with the personage, therefore if this suffered to be diver, in Hollywood also the black directors are few. This allegation is proven in the allegations of the proper director, who revealed to perceive relation between its life and of the personage. The ideology demonstrates the power of the white, however at the same time it passes to the Afro-American spectator the idea of that it is capable to change its reality that was constructed historically. .